Eri Wakiyama‘s designs for Visions this Thursday have us up in the air, with whimsical, avant-garde pieces that integrate the music on the program. According to Eri, ‘The clothes I created for Visions are meant to execute a dreamy romantic feeling while not being directly girly. Like a broken down doll type of world.”
To complement Eri’s collection, the amazing menswear designer Edward Lorenz is back with imaginative designs. We can’t give away too much…but for form/FIGURE Lorenz designed some crazy headgear, inspired by the musical savants in Oliver Sacks‘ Musicophilia. We are eager to to see what he’s got brewing!
Get your tickets for Visions here.
A concert where fashion and classical music converge. ‘Visions’ will will take our audience through a dream-like soundscape with music-inspired fashion in a beautiful, intimate venue.
Musicians will don fashion inspired by the music, designed by Edward Lorenz and Eri Wakiyama of Rag and Bone and Comme de Garcons, respectively.
This concert will feature Unsound Grounds performed by the composer himself, Trevor Gureckis, who regularly assists Phillip Glass on major projects. Also on the program are Glass’s Changing Opinion, Liebermann’s rarely performed Piano Trio No. 1, and Takemitsu’s Seasons (aka red and blue graphic score for live improvised percussion with tape!), which premiered in New York just a few months ago.
When fashion and classical music collide, the result is a beautiful visual and aural experience.
Meet and mingle with our artists at the after party- bar TBA!
Musicians: Walter Aparicio, Trevor Gureckis, Sugar Vendil, piano; Patti Kilroy, violin; Rebecca Dragonetti, cello; Amanda Hick, soprano; Jeffrey Eng, Laura Jordan, Frank Tyl, percussion.
Our last concert sold out, so try to get tickets soon!
20 adv/25 door
Sunday evening we headed to the NYU Skirball Center to see and hear Icarus at the Edge of Time, a new children’s book by superstar string theorist Brian Green, and in this case, an event in the World Science Festival that attracted clusters of cute kids. After an introduction by Tracy Day and a short talk by Green on the Icarus myth and black holes, the story began. A film by Al and Al vividly portrayed a futuristic galaxy as Liev Schreiber narrated. We especially loved Icarus’s spaceship, complete with bird-like wings. Brad Lubman conducted the Orchestra of St. Luke’s in performing Philip Glass‘s accompanying score, which was composed exclusively for the film. Glass himself was in attendance with his two youngest sons.
Green’s Icarus re-imagines the story of Icarus in physicist kind of way: in this story, Icarus foolishly travels to a black hole after his father tells him not to. His journey is a success, except for the fact that he forgot to account for one thing: time. When Icarus returns, it is 10,000 years later, which felt like an hour to him, and everything he knew was gone…floating in space are detached feathers, representing his fall. Icarus at the Edge of Time dark tale for young ones that teaches them: a) a bit about Einstein and relativity, and b) if Daddy says ‘Stay away from black holes,’ YOU’D BETTER LISTEN!
So if you want your kids to grow up smart and well-behaved, perhaps you should pick up this book and mix in some Glass with that Mozart!