Minimalism, My Miniskirt, and I
11/11/2009
Who: T. Gureckis, Assistant to Philip Glass/Co-founder, Found Object Music Productions +1 (me)
What: Philip Glass Violin Concerto No. 1
Bruckner Orchester Linz/Dennis Russell Davies, Conductor/Renaud Capuçon, violin
Where: Avery Fisher Hall
Wore: Bandage mini-skirt, eggplant v-neck tank, ankle boots, leather jacket, and tights (to keep it proper)
Interesting Fact: Got ‘booed’ back in 1987 (I was probably too busy watching ‘Jem and the Holograms’ to notice)
Feelings/Thoughts: Enjoyed immensely.
Why such an aversion (to say the least) to Glass by many classical music aficionados? Some people really HATE Philip Glass, with a passion. Whoever thought arpeggios could cause such a stir? I don’t hate on Missoni or Pucci for having a signature style.
Unless one really knows Glass’s works really well, most would not be able to readily distinguish one piece from another (I wouldn’t, beyond solo vs. chamber vs. concerto, etc.) because there are so many similarities. Lots of simple arpeggios, major, minor, 7ths, nothing un-analyzable. This is why his music has oftentimes been disregarded as having any sort of musical value: it is accessible, unpretentious, straightforward. However, even those who hate his music the most can probably instantly recognize Glass in 5 seconds (or less). Regardless of how one feels about the fact that, yes, Glass is repetitive (and not just within a piece of music but across his body of work as a whole) it’s undeniable that he’s done something original, created his own musical identity that no one else can claim, and that alone is deserving of respect.
A Premiere, Poetry, and Pointe
10/15/2009
Come see the world premiere of our friend Bryan Senti’s ballet, inspired by the poetry of Kat Mandeville and choreographed by Bronwen Macarthur. Costumes are by Swedish designer Maja Gunn, and you know how much we at NCP love blending things with fashion. It’s going to be a truly unique and beautiful experience! Snag your tickets here.
Concert Photos (Part I)
10/05/2009
Enormous thanks to Simon Collins, Parsons The New School for Design students, and The New School’s Tishman Auditorium for making this event possible; to James Bae, photagrapher; our volunteer staff. And to all the incredible musicians–Walter Aparicio, Asuka Fu, Josh Henderson, JY Lee, and SYBARITE5–you all rocked it!
Enjoy these snaps, taken by Lydia Kim, the other half of the design duo that won the Reconstruction competition. More photos on their way…
Just picked up all 3 Penguin Deluxe Editions with cover art by Rubin Toledo, fashion illustrator and husband of Isabel Toledo (if you don’t know who she is, click that link!).
While these are in fact great novels, I adore these editions in particular because: 1) they are beautiful; 2) as someone who appreciates aesthetics and good design, they make my reading experience more enjoyable; 3) the books show how fashion can be used as a force to rouse and renew interest for something else yet remain respectful and unintrusive. The stories are the same on the inside, but their new outfits simply make them pop, make them more noticable. As we typically see the outside of a book first (in fact, the outside of many things) before the inside, these Penguin editions are a savvy example of drawing new eyes to classic art by simply merging intellectual with sexy.
preCONSTRUCTION pARTy pics
09/25/2009
Thanks to all that came out to party with us at preCONSTRUCTION! We’re looking forward to seeing everyone at Reconstruction (meaning musicians dressed in original fashion made out of cut-up Louis Vuitton samples by Parsons students) this coming Friday, October 2! Special thanks to photographer, Frank Wang – enjoy the photos!
- with Justin Kantor of (le) Poisson Rouge
- Chris Baker – he designed our logo!
- Eugene Kaler, violinist
- Jason Jean of Citizen Couture and Rahat Ahmed, our graphic designer
- with Charles Manning, stylist
- Walter Aparicio, pianist
- Trevor Gureckis, Found Objects Productions (left)
- Laura Metcalf and Angela Pickett of Sybarite5
- Asuka Fu, pianist
- Rachel Christensen’s profile
Reconstruction- Not Quite Over Yet…
09/20/2009
…because on October 2 we have a live concert at The New School’s Tishman Hall, where garments created at the Parsons/Louis Vuitton live competition will be worn by the musicians. The students designers drew inspiration from the music that will be performed at this concert.
more info: www.nouveauclassical.org
And the Winner is…
09/18/2009
RECONSTRUCTION Live Event- starts NOW!
09/17/2009
If you look closely, there’s us! We will help choose the winners of the competition today, as well as perform a teaser for our upcoming concert on October 2 at The New School’s Tishman Auditorium. Students are ‘performing’ live as we type this; as in, designing and constructing the garments RIGHT NOW. On October 2 these music-inspired garments will come to life as musicians wear them during the concert. Each garment was assigned a specific piece of music from our program. How will Ravel, Barber, and Osborne get translated into fashion? An explosion of color for dissonant chords? Or maybe something more emotional or intangible? We’ll find out tonight…
Today’s event may be exclusive-by-invitation only, but you can definitely catch it from the street through the windows at Parsons Aronson Gallery. Just be sure to bring an umbrella!
The Lost Tooth Club
09/17/2009
Thanks to everyone who came out to preCONSTRUCTION last night! It was a ton of fun and we had a great time drinking sake with you guys. Thanks also to our sponsors, Gekkeikan Sake and Vig27 for their generosity. Hope to see you all at our next event, Reconstruction, a full concert where musicians wear music-inspired garments created from cut-up Louis Vuitton samples by Parsons students. (How many clauses were in that last sentence? The winner gets a lifetime membership to The Nouveau Classical Project! KIDDING.)




























































